On the Art Aesthetics of the Parasite in Movies

Tsui Nga Mei

doi:doi:10.11648/j.hss.20221003.16

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On the Art Aesthetics of the Parasite in Movies

Tsui Nga Mei

Published in Humanities and Social Sciences (Volume 10, Issue 3)

Received: 30 April 2022 Accepted: 19 May 2022 Published: 26 May 2022

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Abstract

In 2019, the famous Korean film Parasite, with its realistic scenes of low-level families living in the semi-basement of Seoul, the actors' distortion of human nature in thinking and behaviour caused by class contradictions and being limited by the social structure. Deeply portrayed by itself, coupled with an excellent script that cleverly blends dark humour and suspenseful thriller, it became one of the year's biggest hits, and it's a big hit at the 2020 Oscars. The film Parasite combines diversified artistic techniques with commercial film models, showing profound themes and whole picture language, and satirizes and criticizes the current social issues such as the gap between the rich and the poor in South Korea. The film uses dark humorous satire and a thrilling storyline to present the gap between the rich and the poor in Korean society and the cruel reality that the underclass is insurmountable. The space planning, colour application and poster design style of the film are unique. It uses various representational elements and layouts in the image to interpret the film's content. It highlights the deep social meaning revealed by the film and the theme expressed by the film, which not only gives the audience a solid visual shock, And arouses people's strong interest in the content of the film so that the audience can understand the profound connotation of the film more comprehensively.

Published in	Humanities and Social Sciences (Volume 10, Issue 3)
DOI	10.11648/j.hss.20221003.16
Page(s)	142-146
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Parasite, Space, Colours

References

[1]	Wikipedia. (2020). Parasite (2019 film). Wikipedia. From https://en.wikipedia.org/wiki/Parasite_ (2019_film).
[2]	Maxwell, R. (2019). Bong Joon-ho's dystopia is already here. Vulture. From https://www.vulture.com/2019/10/bong-joon-ho-parasite.html
[3]	Sang-hun, C., & Fei, L. Y. (2020). For Seoul's poor, class strife in 'parasite' is daily reality. The New York Times. From https://www.nytimes.com/2020/02/29/world/asia/parasite-seoul-south-korea.html
[4]	Foucault, M. (2000). Of other spaces = Heterotopias. Www.foucault.info.
[5]	Branigan, E. (2018). Tracking color in cinema and art: Philosophy and aesthetics. Routledge.
[6]	Costa, M. H. (2011). Color in films: A critical overview. Revista Crítica Cultural, 6 (1), 333. https://doi.org/10.19177/rcc.v6e12011333-346
[7]	Elliot, A. J. (2015). Color and psychological functioning: A review of theoretical and empirical work. Frontiers in Psychology, 6. https://doi.org/10.3389/fpsyg.2015.00368
[8]	Cherry, K. (2020,). How does the color red impact your mood and behavior? Verywell Mind. From https://www.verywellmind.com/the-color-psychology-of-red-2795821
[9]	Kuniecki, M., Pilarczyk, J., & Wichary, S. (2015). The color red attracts attention in an emotional context. An ERP study. Frontiers in human neuroscience, 9, 212. https://doi.org/10.3389/fnhum.2015.00212
[10]	Barrett, C. A., & Markowitz, H. (2004). American Indian culture. Salem Press, Inc.
[11]	Nur Fitria, T. (2021). (PDF) representation of symbols in “Parasite” movie. Retrieved From https://www.researchgate.net/publication/357484581_Representation_of_Symbols_in_Parasite_Movie
[12]	Yang, Y. (2014). Bourdieu, Practice and Change: Beyond the criticism of ... Retrieved November 6, 2020, from https://www.researchgate.net/publication/271946346_Bourdieu_Practice_and_Change_Beyond_the_criticism_of_determinism
[13]	An, Y.-J. (2019). “parasite” and crumbs: The semiotic comparative analysis between the figure non planifie in the film “Parasite” and the figure crumbs in the woman of Phenicia in Syria (mk 7, 23-31). Semiotic Inquiry, 61, 157–186. https://doi.org/10.24825/si.61.6
[14]	Worthy, B., Choe, S., Lee, S., Nickl, B., Rayward, E., & Sung-Ae, L. (2020). The Appeal of Korea: Transnational Korean Screen Culture. Australasian Journal of American Studies, 39 (1), 149–190. https://www.jstor.org/stable/26973006
[15]	Rood, O. N., & Birren, F. (1973). Modern Chromatics; students' text-book of color, with applications to art and industry. Van Nostrand Reinhold Co.

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APA Style

Tsui Nga Mei. (2022). On the Art Aesthetics of the Parasite in Movies. Humanities and Social Sciences, 10(3), 142-146. https://doi.org/10.11648/j.hss.20221003.16

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Tsui Nga Mei. On the Art Aesthetics of the Parasite in Movies. Humanit. Soc. Sci. 2022, 10(3), 142-146. doi: 10.11648/j.hss.20221003.16

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Tsui Nga Mei. On the Art Aesthetics of the Parasite in Movies. Humanit Soc Sci. 2022;10(3):142-146. doi: 10.11648/j.hss.20221003.16

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@article{10.11648/j.hss.20221003.16,
  author = {Tsui Nga Mei},
  title = {On the Art Aesthetics of the Parasite in Movies},
  journal = {Humanities and Social Sciences},
  volume = {10},
  number = {3},
  pages = {142-146},
  doi = {10.11648/j.hss.20221003.16},
  url = {https://doi.org/10.11648/j.hss.20221003.16},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20221003.16},
  abstract = {In 2019, the famous Korean film Parasite, with its realistic scenes of low-level families living in the semi-basement of Seoul, the actors' distortion of human nature in thinking and behaviour caused by class contradictions and being limited by the social structure. Deeply portrayed by itself, coupled with an excellent script that cleverly blends dark humour and suspenseful thriller, it became one of the year's biggest hits, and it's a big hit at the 2020 Oscars. The film Parasite combines diversified artistic techniques with commercial film models, showing profound themes and whole picture language, and satirizes and criticizes the current social issues such as the gap between the rich and the poor in South Korea. The film uses dark humorous satire and a thrilling storyline to present the gap between the rich and the poor in Korean society and the cruel reality that the underclass is insurmountable. The space planning, colour application and poster design style of the film are unique. It uses various representational elements and layouts in the image to interpret the film's content. It highlights the deep social meaning revealed by the film and the theme expressed by the film, which not only gives the audience a solid visual shock, And arouses people's strong interest in the content of the film so that the audience can understand the profound connotation of the film more comprehensively.},
 year = {2022}
}

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TY  - JOUR
T1  - On the Art Aesthetics of the Parasite in Movies
AU  - Tsui Nga Mei
Y1  - 2022/05/26
PY  - 2022
N1  - https://doi.org/10.11648/j.hss.20221003.16
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PB  - Science Publishing Group
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UR  - https://doi.org/10.11648/j.hss.20221003.16
AB  - In 2019, the famous Korean film Parasite, with its realistic scenes of low-level families living in the semi-basement of Seoul, the actors' distortion of human nature in thinking and behaviour caused by class contradictions and being limited by the social structure. Deeply portrayed by itself, coupled with an excellent script that cleverly blends dark humour and suspenseful thriller, it became one of the year's biggest hits, and it's a big hit at the 2020 Oscars. The film Parasite combines diversified artistic techniques with commercial film models, showing profound themes and whole picture language, and satirizes and criticizes the current social issues such as the gap between the rich and the poor in South Korea. The film uses dark humorous satire and a thrilling storyline to present the gap between the rich and the poor in Korean society and the cruel reality that the underclass is insurmountable. The space planning, colour application and poster design style of the film are unique. It uses various representational elements and layouts in the image to interpret the film's content. It highlights the deep social meaning revealed by the film and the theme expressed by the film, which not only gives the audience a solid visual shock, And arouses people's strong interest in the content of the film so that the audience can understand the profound connotation of the film more comprehensively.
VL  - 10
IS  - 3
ER  -

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Author Information

Tsui Nga Mei

Department of Humanities and Creative Writing, Hong Kong Baptist University, Hong Kong, China

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Tsui Nga Mei. (2022). On the Art Aesthetics of the Parasite in Movies. Humanities and Social Sciences, 10(3), 142-146. https://doi.org/10.11648/j.hss.20221003.16

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ACS Style

Tsui Nga Mei. On the Art Aesthetics of the Parasite in Movies. Humanit. Soc. Sci. 2022, 10(3), 142-146. doi: 10.11648/j.hss.20221003.16

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AMA Style

Tsui Nga Mei. On the Art Aesthetics of the Parasite in Movies. Humanit Soc Sci. 2022;10(3):142-146. doi: 10.11648/j.hss.20221003.16

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@article{10.11648/j.hss.20221003.16,
  author = {Tsui Nga Mei},
  title = {On the Art Aesthetics of the Parasite in Movies},
  journal = {Humanities and Social Sciences},
  volume = {10},
  number = {3},
  pages = {142-146},
  doi = {10.11648/j.hss.20221003.16},
  url = {https://doi.org/10.11648/j.hss.20221003.16},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20221003.16},
  abstract = {In 2019, the famous Korean film Parasite, with its realistic scenes of low-level families living in the semi-basement of Seoul, the actors' distortion of human nature in thinking and behaviour caused by class contradictions and being limited by the social structure. Deeply portrayed by itself, coupled with an excellent script that cleverly blends dark humour and suspenseful thriller, it became one of the year's biggest hits, and it's a big hit at the 2020 Oscars. The film Parasite combines diversified artistic techniques with commercial film models, showing profound themes and whole picture language, and satirizes and criticizes the current social issues such as the gap between the rich and the poor in South Korea. The film uses dark humorous satire and a thrilling storyline to present the gap between the rich and the poor in Korean society and the cruel reality that the underclass is insurmountable. The space planning, colour application and poster design style of the film are unique. It uses various representational elements and layouts in the image to interpret the film's content. It highlights the deep social meaning revealed by the film and the theme expressed by the film, which not only gives the audience a solid visual shock, And arouses people's strong interest in the content of the film so that the audience can understand the profound connotation of the film more comprehensively.},
 year = {2022}
}

Copy | Download

TY  - JOUR
T1  - On the Art Aesthetics of the Parasite in Movies
AU  - Tsui Nga Mei
Y1  - 2022/05/26
PY  - 2022
N1  - https://doi.org/10.11648/j.hss.20221003.16
DO  - 10.11648/j.hss.20221003.16
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 142
EP  - 146
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20221003.16
AB  - In 2019, the famous Korean film Parasite, with its realistic scenes of low-level families living in the semi-basement of Seoul, the actors' distortion of human nature in thinking and behaviour caused by class contradictions and being limited by the social structure. Deeply portrayed by itself, coupled with an excellent script that cleverly blends dark humour and suspenseful thriller, it became one of the year's biggest hits, and it's a big hit at the 2020 Oscars. The film Parasite combines diversified artistic techniques with commercial film models, showing profound themes and whole picture language, and satirizes and criticizes the current social issues such as the gap between the rich and the poor in South Korea. The film uses dark humorous satire and a thrilling storyline to present the gap between the rich and the poor in Korean society and the cruel reality that the underclass is insurmountable. The space planning, colour application and poster design style of the film are unique. It uses various representational elements and layouts in the image to interpret the film's content. It highlights the deep social meaning revealed by the film and the theme expressed by the film, which not only gives the audience a solid visual shock, And arouses people's strong interest in the content of the film so that the audience can understand the profound connotation of the film more comprehensively.
VL  - 10
IS  - 3
ER  -

Copy | Download