Art biennials have proliferated around the world. These important events have been influencing the art market in different ways, since the first art biennial, held in Venice in 1895. This article aims to analyze and discuss the relationship between the São Paulo International Art Biennial, established in 1951, and the Brazilian art market. In this study three sources of information were used, with primary and secondary data. The first source was the Brazilian artworks exports data during the exhibition period of the São Paulo Art Biennial, as per the Ministry of Industry, Foreign Trade and Services of Brazil. The second source was a survey with the commercial staff of renowned Brazilian art galleries. The third source of information used in this paper was the systematic review of articles published in selected newspapers in USA and England about the São Paulo International Art Biennial between 2012 and 2019. The analysis of the gathered information led to the conclusion that, although the São Paulo International Art Biennial may not directly impact the Brazilian art market short-term sales, the event highlights and promotes Brazilian artists internationally, providing a solid base for the recognition of Brazilian art as good and innovative art, therefore being essential to the Brazilian art system and to the Brazilian art market.
| Published in | International Journal of Science, Technology and Society (Volume 10, Issue 3) |
| DOI | 10.11648/j.ijsts.20221003.13 |
| Page(s) | 107-114 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2022. Published by Science Publishing Group |
São Paulo International Art Biennial, Galleries, Art Market, Business
| [1] | AJZENBERG, Elza. História da Arte Contemporânea [The History of Contemporary Art]. São Paulo: PGEHA-USP, 2013 (Verbal communication). |
| [2] | APPADURAI, A. Modernity at large: cultural dimensions of globalization. Minneapolis: University of Minnesota Press, 1996. |
| [3] | ARGAN, Giulio Carlo. Arte Moderna: Do Iluminismo aos movimentos contemporâneos [Modern Art: From Enlightenment to Contemporary Movements]. São Paulo: Companhia das Letras, 1988. |
| [4] | BRIZOLA, J.; FANTIN, N. Revisão da literatura e revisão sistemática da literatura. Revista de Educação do Vale do Arinos [Literature review and systematic literature review]. RELVA, 2017. Available at https://periodicos.unemat.br/index.php/relva/article/view/1738. Access on 30 Jan 2022. |
| [5] | CAUQUELIN, Anne. Arte Contemporânea: uma introdução [Contemporary Art: an introduction]. São Paulo: Martins, 2005. |
| [6] | COSLOR, E.; SPAENJERS, C. Organizational and Epistemic Change: The Growth of the Art Investment Field. Accounting, Organization and Society, v. 55, Sep. 15, 2016, p. 48-62. |
| [7] | FIALHO, A. L. Contribuições à internacionalização do sistema das artes no Brasil [Contributions to the internationalization of the arts system in Brazil]. SP-Arte 2014. São Paulo, Apr. 2014, p. 198-200. |
| [8] | FIALHO, A. L. (org.). Pesquisa sensorial: o mercado da arte contemporânea no Brasil [Sensory research: the contemporary art market in Brazil]. 3. ed. São Paulo: Latitude, Abact, 2014. |
| [9] | HOCHLEITNER, Katya de Castro. SP-ARTE: Histórico e Impacto Percebido no Mercado Brasileiro de Arte [SP-ARTE: History and Perceived Impact on the Brazilian Art Market]. Dissertation. Universidade de São Paulo, 2015. Available at: https://www.teses.usp.br/teses/disponiveis/93/93131/tde-27012016-133127/publico/2015_KatyaDeCastroHochleitner_VOrig.pdf. Access on 30 Jan 2022. |
| [10] | KATO, Gento. International news coverage and foreign image building – Agenda setting, persuasion, and framing in the formation of public image to ward foreign states in Japan, 1987-2015. Department of political science. University of California Davis. November 2017. Available at https://s.gifford.ucdavis.edu/uploads/gifford_public/90/f9/90f9dd71-263e-4c77-b07c-f265d9849700/katopaper.pdf. Access on 30 Jan 2022. |
| [11] | KLEIN, J. e S. O que é arte contemporânea [What is contemporary art] São Paulo. Claroenigma, 2021. |
| [12] | MORENO, APS. The Internationalization of Brazilian Concrete Art. Thesis (PhD in History of Art, Culture & Education) – Universidade Presbiteriana Mackenzie, São Paulo, 2021. |
| [13] | MORENO, APS e RIZOLLI, M. A bienal de arte de São Paulo gera impacto no mercado de obras de arte brasileiro? [Does the São Paulo art biennial impact the Brazilian art market?]. Trama Interdisciplinar, São Paulo, v. 10, n. 1, p. 64-74, Jan-Jun 2019. |
| [14] |
PEREZ-BARREIRO, G. Oct. 10, 2018. Available at: |
| [15] | RAVA, Natália. Análise do mercado brasileiro de Arte Contemporânea: conjuntura econômica e inserção internacional sob a perspectiva do Projeto Latitude [Analysis of the Brazilian Contemporary Art market: economic conjuncture and international insertion from the perspective of the Latitude Project]. Monography (Bachelor’s in Economy). Universidade Federal do Rio Grande do Sul, Porto Alegre, 2017. |
| [16] | ROSE, Andrew K. Like me, buy me: the effect of soft power on exports. 2016. Available at: https://onlinelibrary.wiley.com/doi/abs/10.1111/ecpo.12077. Access on 30 jan 2022. |
| [17] | SCHOEN, Maria Teresa Bueno Schulz Gennant. Projeto Construtivo Brasileiro e as exposições de arte concreta e neoconcreta na Alemanha: desejos da forma [Brazilian Constructive Project and the exhibitions of concrete and neoconcrete art in Germany: desires of form]. Thesis (PhD in Brasilianistik). Freie Universität Berlin, Berlin, 2017. |
| [18] | SETHI, S. P., ELANGO, B., 1997. The impact of national characteristics and government policies on the international competitive advantage of multinational corporations. Business and Contemporary World IX, 1997. |
| [19] | WU, C.-T. Biennials without borders. New Left Review, n. 57, p. 107-115, May/June 2009. |
| [20] | Ministério da Indústria, Comércio Exterior e Serviços [Ministry of International Trade and Services], http://comexstat.mdic.gov.br/pt/home, accessed on December 18, 2019. |
APA Style
Ana Paula Moreno, Marcos Rizolli, Katya Hochleitner. (2022). São Paulo Art Biennial and Its Relation to the Brazilian Art Market. International Journal of Science, Technology and Society, 10(3), 107-114. https://doi.org/10.11648/j.ijsts.20221003.13
ACS Style
Ana Paula Moreno; Marcos Rizolli; Katya Hochleitner. São Paulo Art Biennial and Its Relation to the Brazilian Art Market. Int. J. Sci. Technol. Soc. 2022, 10(3), 107-114. doi: 10.11648/j.ijsts.20221003.13
AMA Style
Ana Paula Moreno, Marcos Rizolli, Katya Hochleitner. São Paulo Art Biennial and Its Relation to the Brazilian Art Market. Int J Sci Technol Soc. 2022;10(3):107-114. doi: 10.11648/j.ijsts.20221003.13
Share This Article
Twitter
Linked In
Facebook
Copy
Download@article{10.11648/j.ijsts.20221003.13,
author = {Ana Paula Moreno and Marcos Rizolli and Katya Hochleitner},
title = {São Paulo Art Biennial and Its Relation to the Brazilian Art Market},
journal = {International Journal of Science, Technology and Society},
volume = {10},
number = {3},
pages = {107-114},
doi = {10.11648/j.ijsts.20221003.13},
url = {https://doi.org/10.11648/j.ijsts.20221003.13},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijsts.20221003.13},
abstract = {Art biennials have proliferated around the world. These important events have been influencing the art market in different ways, since the first art biennial, held in Venice in 1895. This article aims to analyze and discuss the relationship between the São Paulo International Art Biennial, established in 1951, and the Brazilian art market. In this study three sources of information were used, with primary and secondary data. The first source was the Brazilian artworks exports data during the exhibition period of the São Paulo Art Biennial, as per the Ministry of Industry, Foreign Trade and Services of Brazil. The second source was a survey with the commercial staff of renowned Brazilian art galleries. The third source of information used in this paper was the systematic review of articles published in selected newspapers in USA and England about the São Paulo International Art Biennial between 2012 and 2019. The analysis of the gathered information led to the conclusion that, although the São Paulo International Art Biennial may not directly impact the Brazilian art market short-term sales, the event highlights and promotes Brazilian artists internationally, providing a solid base for the recognition of Brazilian art as good and innovative art, therefore being essential to the Brazilian art system and to the Brazilian art market.},
year = {2022}
}
TY - JOUR T1 - São Paulo Art Biennial and Its Relation to the Brazilian Art Market AU - Ana Paula Moreno AU - Marcos Rizolli AU - Katya Hochleitner Y1 - 2022/05/31 PY - 2022 N1 - https://doi.org/10.11648/j.ijsts.20221003.13 DO - 10.11648/j.ijsts.20221003.13 T2 - International Journal of Science, Technology and Society JF - International Journal of Science, Technology and Society JO - International Journal of Science, Technology and Society SP - 107 EP - 114 PB - Science Publishing Group SN - 2330-7420 UR - https://doi.org/10.11648/j.ijsts.20221003.13 AB - Art biennials have proliferated around the world. These important events have been influencing the art market in different ways, since the first art biennial, held in Venice in 1895. This article aims to analyze and discuss the relationship between the São Paulo International Art Biennial, established in 1951, and the Brazilian art market. In this study three sources of information were used, with primary and secondary data. The first source was the Brazilian artworks exports data during the exhibition period of the São Paulo Art Biennial, as per the Ministry of Industry, Foreign Trade and Services of Brazil. The second source was a survey with the commercial staff of renowned Brazilian art galleries. The third source of information used in this paper was the systematic review of articles published in selected newspapers in USA and England about the São Paulo International Art Biennial between 2012 and 2019. The analysis of the gathered information led to the conclusion that, although the São Paulo International Art Biennial may not directly impact the Brazilian art market short-term sales, the event highlights and promotes Brazilian artists internationally, providing a solid base for the recognition of Brazilian art as good and innovative art, therefore being essential to the Brazilian art system and to the Brazilian art market. VL - 10 IS - 3 ER -
Information
Email: