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Regeneration from Plague: Analysis of Trauma Narrative in The Painted Veil

Received: 8 September 2022     Accepted: 4 October 2022     Published: 18 October 2022
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Abstract

The Painted Veil is a work with the emotional entanglement of the couple, Kitty Garstin and her husband Walter Fane, as the main clue, which mainly depicts Kitty’s regeneration from the plague based on trauma. Born in a middle class family, Kitty’s mother forced her to make the most of marriage to enter the upper class, which caused her trauma in the family. Unfortunately Kitty didn’t catch the chance, so she had to marry Walter in a hurry, which led to the trauma in her marriage. She was very disappointed in the marriage, which resulted in her affairs with Charles Townsend. In order to revenge, Walter took her to Mei-tan-fu, a plague-stricken place in foreign lands, where she suffered from the trauma from constant death threat. Deeply traumatized in her marriage and the death threat, Kitty was disillusioned and even wanted to die. During her work in the monastery, she began to reflect on herself in the past, realized the true life value, and found the way to regeneration. In view of this, the author carried out narrative analysis of the source of her trauma, the tortures of trauma, and her fight against trauma, aiming at criticizing the utilitarianism and worldliness in western modern concepts.

Published in International Journal of Language and Linguistics (Volume 10, Issue 5)
DOI 10.11648/j.ijll.20221005.15
Page(s) 306-310
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Source, Tortures, Fight Against, Trauma Narrative

References
[1] Tang Furong. Free From the Shackle of From-On the Self-salvation Road in The Painted Veil. Legend, 2011 (02), 57-58+62.
[2] Lv Jin. Unveil the Painted Veil. Long Vovels, 2000, (16): 6.
[3] Yang Qianqian. Unveil Maugham’s “The Painted Veil”-Analysis of Orientalism in The Painted Veil. Studies in Languages and Culture, 2010 (09): 226-228.
[4] Yu Chang. Maugham and Orientalism-China in Maugham’s Eyes. Journal of Anhui University of Science and Technology (Social Science), 2016, 18 (01): 83-87.
[5] Liu Muwen. Personalized Characteristics of Image of China in Maugham’s Novels: Focus Mainly on Of Human Bondage and The Painted Veil. Shanghai International Studies University, 2021.
[6] Jiao, Yuliang. Analysis of the Theme and Chinese People’s Image in Maugham’s The Painted Veil. Leather in the West Lands, 2016 (10): 236.
[7] Martin, Seymour Smith. Guide to Modern World Literature. London: Macmillan Press Ltd, 1985: 225.
[8] Joseph, Warren Beach. English Literature of the 19th and the Early 20th Centuries. New York: The Gowell--Collier Publishing Company, 1987: 14.
[9] Zhang Huixia. Analysis of Feminism in The Painted Veil. Chinese National Expo, 2022, 04 (08): 182-184.
[10] Lv Pei’ai & Liu Hui. Incomplete Construction of Female Subjective Consciousness -- Maugham’s View of Women in The Painted Veil. Journal of Shenyang University (Social Science), 2022, 24 (3): 323-330.
[11] Chen Jie. The Utilitarianism Repr in the Writings of Charles Dickens, William Thackeray, and Charlotte Bronte. Fujian Normal University, 2013.
[12] Maugham, William Somerset. The Painted Veil. Nanjing: Yilin Press, 2020: 17, 19, 32, 38, 73, 21, 21-22, 22, 101, 101, 94, 94, 172, 133, 140, 141, 202.
[13] Herman, Judith Lewis. Trauma & Recovery: From Domestic Domestic Ability to Political Terror. London: Pandora, 2001: 33.
[14] Caruth, Cathy. Unclaimed Experience: Trauma, Narrative and History. Baltimore: The Johns Hopkins University Press, 1996: 11.
[15] Freud, Sigmund. Beyond the Pleasure Principle, Group Psychology and Other Works. London: The Hogarth Press, 1955: 12-13.
[16] Wang Xiaoping. Coping Mechanism of Psychological Trauma in Chinese Traditional Disaster Culture. Journal of Southwest Minzu University (Humanities and Social Science), 2022, 43 (06): 204-211.
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  • APA Style

    Yan Jun. (2022). Regeneration from Plague: Analysis of Trauma Narrative in The Painted Veil. International Journal of Language and Linguistics, 10(5), 306-310. https://doi.org/10.11648/j.ijll.20221005.15

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    ACS Style

    Yan Jun. Regeneration from Plague: Analysis of Trauma Narrative in The Painted Veil. Int. J. Lang. Linguist. 2022, 10(5), 306-310. doi: 10.11648/j.ijll.20221005.15

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    AMA Style

    Yan Jun. Regeneration from Plague: Analysis of Trauma Narrative in The Painted Veil. Int J Lang Linguist. 2022;10(5):306-310. doi: 10.11648/j.ijll.20221005.15

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  • @article{10.11648/j.ijll.20221005.15,
      author = {Yan Jun},
      title = {Regeneration from Plague: Analysis of Trauma Narrative in The Painted Veil},
      journal = {International Journal of Language and Linguistics},
      volume = {10},
      number = {5},
      pages = {306-310},
      doi = {10.11648/j.ijll.20221005.15},
      url = {https://doi.org/10.11648/j.ijll.20221005.15},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijll.20221005.15},
      abstract = {The Painted Veil is a work with the emotional entanglement of the couple, Kitty Garstin and her husband Walter Fane, as the main clue, which mainly depicts Kitty’s regeneration from the plague based on trauma. Born in a middle class family, Kitty’s mother forced her to make the most of marriage to enter the upper class, which caused her trauma in the family. Unfortunately Kitty didn’t catch the chance, so she had to marry Walter in a hurry, which led to the trauma in her marriage. She was very disappointed in the marriage, which resulted in her affairs with Charles Townsend. In order to revenge, Walter took her to Mei-tan-fu, a plague-stricken place in foreign lands, where she suffered from the trauma from constant death threat. Deeply traumatized in her marriage and the death threat, Kitty was disillusioned and even wanted to die. During her work in the monastery, she began to reflect on herself in the past, realized the true life value, and found the way to regeneration. In view of this, the author carried out narrative analysis of the source of her trauma, the tortures of trauma, and her fight against trauma, aiming at criticizing the utilitarianism and worldliness in western modern concepts.},
     year = {2022}
    }
    

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    AB  - The Painted Veil is a work with the emotional entanglement of the couple, Kitty Garstin and her husband Walter Fane, as the main clue, which mainly depicts Kitty’s regeneration from the plague based on trauma. Born in a middle class family, Kitty’s mother forced her to make the most of marriage to enter the upper class, which caused her trauma in the family. Unfortunately Kitty didn’t catch the chance, so she had to marry Walter in a hurry, which led to the trauma in her marriage. She was very disappointed in the marriage, which resulted in her affairs with Charles Townsend. In order to revenge, Walter took her to Mei-tan-fu, a plague-stricken place in foreign lands, where she suffered from the trauma from constant death threat. Deeply traumatized in her marriage and the death threat, Kitty was disillusioned and even wanted to die. During her work in the monastery, she began to reflect on herself in the past, realized the true life value, and found the way to regeneration. In view of this, the author carried out narrative analysis of the source of her trauma, the tortures of trauma, and her fight against trauma, aiming at criticizing the utilitarianism and worldliness in western modern concepts.
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Author Information
  • School of Foreign Languages, Yancheng Teachers’ University, Yancheng, China

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