Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis

Chen-chun E

doi:doi:10.11648/j.ijll.20170504.11

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Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis

Chen-chun E

Published in International Journal of Language and Linguistics (Volume 5, Issue 4)

Received: 26 March 2017 Accepted: 24 April 2017 Published: 22 June 2017

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Abstract

Chinese brush calligraphy has not only aesthetic value, but it is also fully loaded with semiological signification of Chinese qi philosophy. Adopting Roland Barthes’s theory on signs, this paper aims to discuss signification of qi in Chinese calligraphy. In addition, drawing on the Saussurean dichotomy of langue and parole as well as Barthes’s contention about signification and metalanguage, I argue that in the underlying langue of Chinese culture exists the philosophy of qi as a whole, whereas calligraphy is one of the genres for qi to be manifested and signified.

Published in	International Journal of Language and Linguistics (Volume 5, Issue 4)
DOI	10.11648/j.ijll.20170504.11
Page(s)	88-94
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2017. Published by Science Publishing Group

Keywords

Semiology, Roland Barthes, Signification, Chinese Calligraphy, Culture

References

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Chen-chun E. (2017). Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. International Journal of Language and Linguistics, 5(4), 88-94. https://doi.org/10.11648/j.ijll.20170504.11

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ACS Style

Chen-chun E. Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. Int. J. Lang. Linguist. 2017, 5(4), 88-94. doi: 10.11648/j.ijll.20170504.11

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Chen-chun E. Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. Int J Lang Linguist. 2017;5(4):88-94. doi: 10.11648/j.ijll.20170504.11

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@article{10.11648/j.ijll.20170504.11,
  author = {Chen-chun E},
  title = {Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis},
  journal = {International Journal of Language and Linguistics},
  volume = {5},
  number = {4},
  pages = {88-94},
  doi = {10.11648/j.ijll.20170504.11},
  url = {https://doi.org/10.11648/j.ijll.20170504.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijll.20170504.11},
  abstract = {Chinese brush calligraphy has not only aesthetic value, but it is also fully loaded with semiological signification of Chinese qi philosophy. Adopting Roland Barthes’s theory on signs, this paper aims to discuss signification of qi in Chinese calligraphy. In addition, drawing on the Saussurean dichotomy of langue and parole as well as Barthes’s contention about signification and metalanguage, I argue that in the underlying langue of Chinese culture exists the philosophy of qi as a whole, whereas calligraphy is one of the genres for qi to be manifested and signified.},
 year = {2017}
}

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TY  - JOUR
T1  - Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis
AU  - Chen-chun E
Y1  - 2017/06/22
PY  - 2017
N1  - https://doi.org/10.11648/j.ijll.20170504.11
DO  - 10.11648/j.ijll.20170504.11
T2  - International Journal of Language and Linguistics
JF  - International Journal of Language and Linguistics
JO  - International Journal of Language and Linguistics
SP  - 88
EP  - 94
PB  - Science Publishing Group
SN  - 2330-0221
UR  - https://doi.org/10.11648/j.ijll.20170504.11
AB  - Chinese brush calligraphy has not only aesthetic value, but it is also fully loaded with semiological signification of Chinese qi philosophy. Adopting Roland Barthes’s theory on signs, this paper aims to discuss signification of qi in Chinese calligraphy. In addition, drawing on the Saussurean dichotomy of langue and parole as well as Barthes’s contention about signification and metalanguage, I argue that in the underlying langue of Chinese culture exists the philosophy of qi as a whole, whereas calligraphy is one of the genres for qi to be manifested and signified.
VL  - 5
IS  - 4
ER  -

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Author Information

Chen-chun E

Department of Chinese Language and Literature, National United University, Miaoli City, Taiwan

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Chen-chun E. (2017). Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. International Journal of Language and Linguistics, 5(4), 88-94. https://doi.org/10.11648/j.ijll.20170504.11

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ACS Style

Chen-chun E. Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. Int. J. Lang. Linguist. 2017, 5(4), 88-94. doi: 10.11648/j.ijll.20170504.11

Copy | Download

AMA Style

Chen-chun E. Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis. Int J Lang Linguist. 2017;5(4):88-94. doi: 10.11648/j.ijll.20170504.11

Copy | Download

@article{10.11648/j.ijll.20170504.11,
  author = {Chen-chun E},
  title = {Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis},
  journal = {International Journal of Language and Linguistics},
  volume = {5},
  number = {4},
  pages = {88-94},
  doi = {10.11648/j.ijll.20170504.11},
  url = {https://doi.org/10.11648/j.ijll.20170504.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijll.20170504.11},
  abstract = {Chinese brush calligraphy has not only aesthetic value, but it is also fully loaded with semiological signification of Chinese qi philosophy. Adopting Roland Barthes’s theory on signs, this paper aims to discuss signification of qi in Chinese calligraphy. In addition, drawing on the Saussurean dichotomy of langue and parole as well as Barthes’s contention about signification and metalanguage, I argue that in the underlying langue of Chinese culture exists the philosophy of qi as a whole, whereas calligraphy is one of the genres for qi to be manifested and signified.},
 year = {2017}
}

Copy | Download

TY  - JOUR
T1  - Cultural Signification and Philosophy Embedded in Chinese Calligraphy: A Semiological Analysis
AU  - Chen-chun E
Y1  - 2017/06/22
PY  - 2017
N1  - https://doi.org/10.11648/j.ijll.20170504.11
DO  - 10.11648/j.ijll.20170504.11
T2  - International Journal of Language and Linguistics
JF  - International Journal of Language and Linguistics
JO  - International Journal of Language and Linguistics
SP  - 88
EP  - 94
PB  - Science Publishing Group
SN  - 2330-0221
UR  - https://doi.org/10.11648/j.ijll.20170504.11
AB  - Chinese brush calligraphy has not only aesthetic value, but it is also fully loaded with semiological signification of Chinese qi philosophy. Adopting Roland Barthes’s theory on signs, this paper aims to discuss signification of qi in Chinese calligraphy. In addition, drawing on the Saussurean dichotomy of langue and parole as well as Barthes’s contention about signification and metalanguage, I argue that in the underlying langue of Chinese culture exists the philosophy of qi as a whole, whereas calligraphy is one of the genres for qi to be manifested and signified.
VL  - 5
IS  - 4
ER  -

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