Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic

Ahmet Hadrovic

doi:doi:10.11648/j.ijaaa.20210703.15

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Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic

Ahmet Hadrovic

Published in International Journal of Architecture, Arts and Applications (Volume 7, Issue 3)

Received: 20 August 2021 Accepted: 31 August 2021 Published: 23 September 2021

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Abstract

In Bosnia and Herzegovina, a relatively large number of mosques were built during the Ottoman Empire (15th-19th century). During the SFRY (Socialist Federal Republic of Yugoslavia, 1945-1992), the socialist era, religion was on the margins of society, and the construction of new mosques was "in the hands" of traditional masters who followed mainly the patterns of Ottoman mosques. There are rare exceptions, such as the White Mosque in Visoko (architect Zlatko Ugljen, 1983). After the war in Bosnia and Herzegovina (1992-1995), there was a change in the social order and composition of Bosnia and Herzegovina as a state, where (now in the capitalist system) many freedoms were open, including religious ones. The construction of sacral buildings has become a "public matter of society" where architects are also involved. The author of this paper was given the opportunity to design mosques, where, as a basic approach in design, he wanted to create modern buildings that will, in addition to the basic prayer space, have a number of other contents (covering both religious and "secular" needs of people). In addition, it was a good opportunity to apply new architectural and spatial concepts, new constructions and materials in the design of mosques, as well as the aesthetics rooted in the foundations of Islam as a universal view of the world. In his designs of mosques (ten realized and several at the level of the conceptual design), the author of this paper paid special attention, in addition to "liquid functional flows", to the role of light in design, both daylight and artificial lighting.

Published in	International Journal of Architecture, Arts and Applications (Volume 7, Issue 3)
DOI	10.11648/j.ijaaa.20210703.15
Page(s)	87-96
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Bosnia and Herzegovina, Sarajevo, Modern Mosque

References

[1]	Klaic, V. (1990), Povijest Bosne, fototip izdanja iz 1882. god., Svjetlost, Sarajevo.
[2]	Pasic, A. (1994), Islamic Architecture in Bosnia and Hercegovina, IRCICA, Istanbul.
[3]	Redzic, H. (1983), Studije o islamskoj arhitektonskoj bastini, Veselin Maslesa, Sarajevo.
[4]	Hadrovic, A. (2007), Defining Architecrural Space on the Model of the Oriental StyleCity House in Bosnia and Herzegovina, Serbia, Montenegro, Kosovo and Macedonia, Booksurge, LLC, North Charleston, SC, USA.
[5]	Hadrovic, A. (2009), Structural Systems in Architecture, Booksurge, LLC, North Charleston, SC, USA.
[6]	Hadrovic, A. (2008.), Bioclimatic Architecture, Searching for a Path to Heaven, Booksurge, LLC, North Charleston, SC, USA.
[7]	Hadrovic, A. (2017), Moj pristup projektiranju dzamija, Arhitektonski fakultet Univerziteta u Sarajevu.
[8]	Ünsal, B. (1959), Turkichislamic Architecture, London.
[9]	Oto-Dorn, K. (1971), Islamska umetnost, Biblioteka "Umetnost u svetu", Bratstvojedinstvo, Novi Sad.
[10]	Alic, H. S. (1976), Arapsko-islamska filozofija; definicija i znacaj u istoriji, Orijentalniinstitut u Sarajevu, POF XXIV/1974., Sarajevo.
[11]	Grozdanic, Dr S. (1976), Uvod u arapsko-islamsku estetiku, Orijentalni institut uSarajevu, POF XXIV/1974., Sarajevo.
[12]	Grabar, O. and others (2007), Islam. Art and Architecture, the American University in Cairo Press.
[13]	Frishman, M., Khan, H. U. (1994), The Mosque: History, Architectural Development &Regional Diversity, Thames & Hudson, London.
[14]	Petruccioli, A. (2007), After Amnesia, Learning from The Islamic Mediterranean Urban Fabric, ICAR, © Attilio Petruccioli.
[15]	Mustafa, S. (2015), Baghdad University Design (Baghdad University Mosque by WalterGropius), South Dakota State University, Department of Architecture.
[16]	Uluhanli, L. (2017), Mosques: Splendors of Islam, Rizzoli; Illustrated edition.
[17]	O’Kane, B. (2019), Mosques: The 100 Most Iconic Islamic Houses of Worship, Assouline, New York.

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Ahmet Hadrovic. (2021). Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. International Journal of Architecture, Arts and Applications, 7(3), 87-96. https://doi.org/10.11648/j.ijaaa.20210703.15

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ACS Style

Ahmet Hadrovic. Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. Int. J. Archit. Arts Appl. 2021, 7(3), 87-96. doi: 10.11648/j.ijaaa.20210703.15

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AMA Style

Ahmet Hadrovic. Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. Int J Archit Arts Appl. 2021;7(3):87-96. doi: 10.11648/j.ijaaa.20210703.15

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@article{10.11648/j.ijaaa.20210703.15,
  author = {Ahmet Hadrovic},
  title = {Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic},
  journal = {International Journal of Architecture, Arts and Applications},
  volume = {7},
  number = {3},
  pages = {87-96},
  doi = {10.11648/j.ijaaa.20210703.15},
  url = {https://doi.org/10.11648/j.ijaaa.20210703.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20210703.15},
  abstract = {In Bosnia and Herzegovina, a relatively large number of mosques were built during the Ottoman Empire (15th-19th century). During the SFRY (Socialist Federal Republic of Yugoslavia, 1945-1992), the socialist era, religion was on the margins of society, and the construction of new mosques was "in the hands" of traditional masters who followed mainly the patterns of Ottoman mosques. There are rare exceptions, such as the White Mosque in Visoko (architect Zlatko Ugljen, 1983). After the war in Bosnia and Herzegovina (1992-1995), there was a change in the social order and composition of Bosnia and Herzegovina as a state, where (now in the capitalist system) many freedoms were open, including religious ones. The construction of sacral buildings has become a "public matter of society" where architects are also involved. The author of this paper was given the opportunity to design mosques, where, as a basic approach in design, he wanted to create modern buildings that will, in addition to the basic prayer space, have a number of other contents (covering both religious and "secular" needs of people). In addition, it was a good opportunity to apply new architectural and spatial concepts, new constructions and materials in the design of mosques, as well as the aesthetics rooted in the foundations of Islam as a universal view of the world. In his designs of mosques (ten realized and several at the level of the conceptual design), the author of this paper paid special attention, in addition to "liquid functional flows", to the role of light in design, both daylight and artificial lighting.},
 year = {2021}
}

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TY  - JOUR
T1  - Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic
AU  - Ahmet Hadrovic
Y1  - 2021/09/23
PY  - 2021
N1  - https://doi.org/10.11648/j.ijaaa.20210703.15
DO  - 10.11648/j.ijaaa.20210703.15
T2  - International Journal of Architecture, Arts and Applications
JF  - International Journal of Architecture, Arts and Applications
JO  - International Journal of Architecture, Arts and Applications
SP  - 87
EP  - 96
PB  - Science Publishing Group
SN  - 2472-1131
UR  - https://doi.org/10.11648/j.ijaaa.20210703.15
AB  - In Bosnia and Herzegovina, a relatively large number of mosques were built during the Ottoman Empire (15th-19th century). During the SFRY (Socialist Federal Republic of Yugoslavia, 1945-1992), the socialist era, religion was on the margins of society, and the construction of new mosques was "in the hands" of traditional masters who followed mainly the patterns of Ottoman mosques. There are rare exceptions, such as the White Mosque in Visoko (architect Zlatko Ugljen, 1983). After the war in Bosnia and Herzegovina (1992-1995), there was a change in the social order and composition of Bosnia and Herzegovina as a state, where (now in the capitalist system) many freedoms were open, including religious ones. The construction of sacral buildings has become a "public matter of society" where architects are also involved. The author of this paper was given the opportunity to design mosques, where, as a basic approach in design, he wanted to create modern buildings that will, in addition to the basic prayer space, have a number of other contents (covering both religious and "secular" needs of people). In addition, it was a good opportunity to apply new architectural and spatial concepts, new constructions and materials in the design of mosques, as well as the aesthetics rooted in the foundations of Islam as a universal view of the world. In his designs of mosques (ten realized and several at the level of the conceptual design), the author of this paper paid special attention, in addition to "liquid functional flows", to the role of light in design, both daylight and artificial lighting.
VL  - 7
IS  - 3
ER  -

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Author Information

Ahmet Hadrovic

Faculty of Architecture, University of Sarajevo, Sarajevo, Bosnia and Herzegovina

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APA Style

Ahmet Hadrovic. (2021). Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. International Journal of Architecture, Arts and Applications, 7(3), 87-96. https://doi.org/10.11648/j.ijaaa.20210703.15

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ACS Style

Ahmet Hadrovic. Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. Int. J. Archit. Arts Appl. 2021, 7(3), 87-96. doi: 10.11648/j.ijaaa.20210703.15

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AMA Style

Ahmet Hadrovic. Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic. Int J Archit Arts Appl. 2021;7(3):87-96. doi: 10.11648/j.ijaaa.20210703.15

Copy | Download

@article{10.11648/j.ijaaa.20210703.15,
  author = {Ahmet Hadrovic},
  title = {Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic},
  journal = {International Journal of Architecture, Arts and Applications},
  volume = {7},
  number = {3},
  pages = {87-96},
  doi = {10.11648/j.ijaaa.20210703.15},
  url = {https://doi.org/10.11648/j.ijaaa.20210703.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20210703.15},
  abstract = {In Bosnia and Herzegovina, a relatively large number of mosques were built during the Ottoman Empire (15th-19th century). During the SFRY (Socialist Federal Republic of Yugoslavia, 1945-1992), the socialist era, religion was on the margins of society, and the construction of new mosques was "in the hands" of traditional masters who followed mainly the patterns of Ottoman mosques. There are rare exceptions, such as the White Mosque in Visoko (architect Zlatko Ugljen, 1983). After the war in Bosnia and Herzegovina (1992-1995), there was a change in the social order and composition of Bosnia and Herzegovina as a state, where (now in the capitalist system) many freedoms were open, including religious ones. The construction of sacral buildings has become a "public matter of society" where architects are also involved. The author of this paper was given the opportunity to design mosques, where, as a basic approach in design, he wanted to create modern buildings that will, in addition to the basic prayer space, have a number of other contents (covering both religious and "secular" needs of people). In addition, it was a good opportunity to apply new architectural and spatial concepts, new constructions and materials in the design of mosques, as well as the aesthetics rooted in the foundations of Islam as a universal view of the world. In his designs of mosques (ten realized and several at the level of the conceptual design), the author of this paper paid special attention, in addition to "liquid functional flows", to the role of light in design, both daylight and artificial lighting.},
 year = {2021}
}

Copy | Download

TY  - JOUR
T1  - Two Examples of Modern Mosques in Sarajevo by Architect Ahmet Hadrovic
AU  - Ahmet Hadrovic
Y1  - 2021/09/23
PY  - 2021
N1  - https://doi.org/10.11648/j.ijaaa.20210703.15
DO  - 10.11648/j.ijaaa.20210703.15
T2  - International Journal of Architecture, Arts and Applications
JF  - International Journal of Architecture, Arts and Applications
JO  - International Journal of Architecture, Arts and Applications
SP  - 87
EP  - 96
PB  - Science Publishing Group
SN  - 2472-1131
UR  - https://doi.org/10.11648/j.ijaaa.20210703.15
AB  - In Bosnia and Herzegovina, a relatively large number of mosques were built during the Ottoman Empire (15th-19th century). During the SFRY (Socialist Federal Republic of Yugoslavia, 1945-1992), the socialist era, religion was on the margins of society, and the construction of new mosques was "in the hands" of traditional masters who followed mainly the patterns of Ottoman mosques. There are rare exceptions, such as the White Mosque in Visoko (architect Zlatko Ugljen, 1983). After the war in Bosnia and Herzegovina (1992-1995), there was a change in the social order and composition of Bosnia and Herzegovina as a state, where (now in the capitalist system) many freedoms were open, including religious ones. The construction of sacral buildings has become a "public matter of society" where architects are also involved. The author of this paper was given the opportunity to design mosques, where, as a basic approach in design, he wanted to create modern buildings that will, in addition to the basic prayer space, have a number of other contents (covering both religious and "secular" needs of people). In addition, it was a good opportunity to apply new architectural and spatial concepts, new constructions and materials in the design of mosques, as well as the aesthetics rooted in the foundations of Islam as a universal view of the world. In his designs of mosques (ten realized and several at the level of the conceptual design), the author of this paper paid special attention, in addition to "liquid functional flows", to the role of light in design, both daylight and artificial lighting.
VL  - 7
IS  - 3
ER  -

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