This article is about the poetic work of Coleridge's pantheism and metaphysical speculations. As he is one of the most influential poets of the romantic period in the field of English literature. He considered the wonderfully imaginative, psychological, metaphysical and pantheistic romantic poems with comparing other greatest poets by a recognized location. There are number of aspects in Coleridge’s personality and also in his writings consists of philosophy, religion, metaphysical aspects, irony, imagination, metaphor, and pantheism. In this research article, the discussion is taken from his most impressive poems “The Ancient Mariner”, “The Eolian Harp”, “Religious Musings” and “This Lime-Tree Bower My Prison”, which shows Coleridge’s representation of of terms Patheism and metaphysical spaculations. Coleridge gave two philosophical declarations. These two declarations are related to his concept of "one Life”. They are related to the different theories and symbolically different. The first declaration appears after Coleridge connotation with the breeze that has caressed the lute, the second declaration is about his previous experience where he had been little more than a passive lute being caresses by the breeze. Hence these two declarations come to know after a representation of imagination and after explaining of fancy in the period of Romantisicim.
| Published in | International Journal of Architecture, Arts and Applications (Volume 6, Issue 3) |
| DOI | 10.11648/j.ijaaa.20200603.11 |
| Page(s) | 34-38 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
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Copyright © The Author(s), 2020. Published by Science Publishing Group |
Pantheism, Metaphysical Speculation, Romanticism, Imaginations
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| [2] | Coleridge, S. T. (1984). “Biographia literaria, or, biographical sketches of my literary life and opinions (Vol. 7).” Princeton University Press. |
| [3] | Dorenkamp, A. G. (1971). “Hope at Highgate: The Late Poetry of ST Coleridge”. Barat Review, 6. |
| [4] | Emmet, D. M. (1952). “Coleridge on the Growth of the Mind.” Bulletin of the John Rylands Library, 34 (2), 276-295. |
| [5] | George Whalley, "Coleridge and Southey in Bristol, 1795," Review of English Studies, new ser., 1 (1950): p. 332n. |
| [6] | Jones C. “Radical Sensibility: Literature and ideas in the 1790s.” Routledge; 2016 Apr 6. |
| [7] | Li, Y. Q. (1989). “Original sin in western contemporary literature, foreign literature and culture.” Beijing: Xinhua Press. |
| [8] | Lu, C. F. (2006). “Coleridge’s perception of nature and ecological awareness.” Academic Journal of Zejiang, (6). |
| [9] | M. H Abram, (1968). The Norton Anthology of English Literature (Vol. II). |
| [10] | M. H Abram, (1984). “The correspondent Breeze” Essays on English Romanticism. |
| [11] | M. H Abrams, (1971). “Natural supernaturalism.” New York: Norton. |
| [12] | McGavran, J. H. (1996). “Defusing the Discharged Soldier: Wordsworth, Coleridge, and Homosexual Panic.” Papers on Language and Literature, 32 (2), 147. |
| [13] | Richard Haven. (1969). Patterns of consciousness: “An essay on Coleridge.” Univ of Massachusetts Press. |
| [14] | S. T Coleridge, Ed. Earl Leslie Griggs “The Collected Letters of Samuel Taylor Coleridge, ed. Earl Leslie Griggs, 6 vols.” (Oxford University Press, 1956–71). |
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| [16] | Wordsworth, J. (1985). “The Infinite I AM: Coleridge and the Ascent of Being.” The Wordsworth Circle, 16 (2), 74-84. |
APA Style
Aslam Yasir. (2020). Assuring the Antecedents of Pantheism and Metaphysical Speculation in Coleridge’s Poetic Work. International Journal of Architecture, Arts and Applications, 6(3), 34-38. https://doi.org/10.11648/j.ijaaa.20200603.11
ACS Style
Aslam Yasir. Assuring the Antecedents of Pantheism and Metaphysical Speculation in Coleridge’s Poetic Work. Int. J. Archit. Arts Appl. 2020, 6(3), 34-38. doi: 10.11648/j.ijaaa.20200603.11
AMA Style
Aslam Yasir. Assuring the Antecedents of Pantheism and Metaphysical Speculation in Coleridge’s Poetic Work. Int J Archit Arts Appl. 2020;6(3):34-38. doi: 10.11648/j.ijaaa.20200603.11
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Download@article{10.11648/j.ijaaa.20200603.11,
author = {Aslam Yasir},
title = {Assuring the Antecedents of Pantheism and Metaphysical Speculation in Coleridge’s Poetic Work},
journal = {International Journal of Architecture, Arts and Applications},
volume = {6},
number = {3},
pages = {34-38},
doi = {10.11648/j.ijaaa.20200603.11},
url = {https://doi.org/10.11648/j.ijaaa.20200603.11},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20200603.11},
abstract = {This article is about the poetic work of Coleridge's pantheism and metaphysical speculations. As he is one of the most influential poets of the romantic period in the field of English literature. He considered the wonderfully imaginative, psychological, metaphysical and pantheistic romantic poems with comparing other greatest poets by a recognized location. There are number of aspects in Coleridge’s personality and also in his writings consists of philosophy, religion, metaphysical aspects, irony, imagination, metaphor, and pantheism. In this research article, the discussion is taken from his most impressive poems “The Ancient Mariner”, “The Eolian Harp”, “Religious Musings” and “This Lime-Tree Bower My Prison”, which shows Coleridge’s representation of of terms Patheism and metaphysical spaculations. Coleridge gave two philosophical declarations. These two declarations are related to his concept of "one Life”. They are related to the different theories and symbolically different. The first declaration appears after Coleridge connotation with the breeze that has caressed the lute, the second declaration is about his previous experience where he had been little more than a passive lute being caresses by the breeze. Hence these two declarations come to know after a representation of imagination and after explaining of fancy in the period of Romantisicim.},
year = {2020}
}
TY - JOUR T1 - Assuring the Antecedents of Pantheism and Metaphysical Speculation in Coleridge’s Poetic Work AU - Aslam Yasir Y1 - 2020/07/07 PY - 2020 N1 - https://doi.org/10.11648/j.ijaaa.20200603.11 DO - 10.11648/j.ijaaa.20200603.11 T2 - International Journal of Architecture, Arts and Applications JF - International Journal of Architecture, Arts and Applications JO - International Journal of Architecture, Arts and Applications SP - 34 EP - 38 PB - Science Publishing Group SN - 2472-1131 UR - https://doi.org/10.11648/j.ijaaa.20200603.11 AB - This article is about the poetic work of Coleridge's pantheism and metaphysical speculations. As he is one of the most influential poets of the romantic period in the field of English literature. He considered the wonderfully imaginative, psychological, metaphysical and pantheistic romantic poems with comparing other greatest poets by a recognized location. There are number of aspects in Coleridge’s personality and also in his writings consists of philosophy, religion, metaphysical aspects, irony, imagination, metaphor, and pantheism. In this research article, the discussion is taken from his most impressive poems “The Ancient Mariner”, “The Eolian Harp”, “Religious Musings” and “This Lime-Tree Bower My Prison”, which shows Coleridge’s representation of of terms Patheism and metaphysical spaculations. Coleridge gave two philosophical declarations. These two declarations are related to his concept of "one Life”. They are related to the different theories and symbolically different. The first declaration appears after Coleridge connotation with the breeze that has caressed the lute, the second declaration is about his previous experience where he had been little more than a passive lute being caresses by the breeze. Hence these two declarations come to know after a representation of imagination and after explaining of fancy in the period of Romantisicim. VL - 6 IS - 3 ER -
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