Porch and Balcony in the Urban Landscape in the Painting of Safavid Period

Mohammad Ebrahim Zarei; Fereshteh Sharifi

doi:doi:10.11648/j.ijaaa.20160204.11

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Porch and Balcony in the Urban Landscape in the Painting of Safavid Period

Mohammad Ebrahim Zarei, Fereshteh Sharifi

Published in International Journal of Architecture, Arts and Applications (Volume 2, Issue 4)

Received: 18 October 2016 Accepted: 28 December 2016 Published: 24 January 2017

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Abstract

This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.

Published in	International Journal of Architecture, Arts and Applications (Volume 2, Issue 4)
DOI	10.11648/j.ijaaa.20160204.11
Page(s)	20-25
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2017. Published by Science Publishing Group

Keywords

Porch, Miniature Paintings, Safavid Period, Urban Landscape

References

[1]	Azhand, Y. 2005. Painting School Tabriz, Qazvin and Mashhad. Tehran: Academy of Art.
[2]	Ashrafi, MM, 2005, the evolution of 16th century Persian painting. translating N Zandi, Tehran: Academy of Art.
[3]	Bennion, Lawrence, Wilkinson, J. v. s and Gary, Basil, 2005, the course of history of Persian painting, Mohammed Iranmanesh, Tehran, Amir Kabir.
[4]	Bynyvn, Lawrence, Wilkinson, vol. And. Q. And Gary, Bazyl. 1988. history of Persian painting, translated by Mohammad AyranmshTehran. Amir kabir.
[5]	Haseli, P, 1998, expressions of architecture in miniature, Art Monthly, No. 16 (p. 16).
[6]	James David, 2010, Introduction to Islamic Art, translated by Mohammad Ebrahim Zarei, Hamedan: Bu-Ali Sina University Press.
[7]	Kiani. M. Y, 2014, Iranian Architecture of the Islamic Period, Tehran, Samt Publication.
[8]	Forotan, M. 2005 "Understanding Iranian Persian Painting of the structure of architectural space" Fancy, No. 13, (S83-71).
[9]	Grabar, Alec, 2005, a review of the Persian Painting, translated by Mehrdad Vahdati danshmand, Tehran: Academy of Art.
[10]	Gray, BasilT, 2004, Iranian paintings, translation Sharveh, Tehran, publisher of the New World.
[11]	Mahmoudi, A, 2005, review of Ivan the traditional Khanh Hay, fine arts publication, Issue 22 (p 53-62).
[12]	Maleki, Tuka, the trend of painting in Iran, Tehran: the Moon and art (72-79).
[13]	Pope, A1998, garlic Portrait of Persian painting, translation Azhand, Tehran: Molly.
[14]	Pirnya. M, 2009, Style of Iranian architecture, Tehran, Sorosh Danesh publication.
[15]	Sltan Zadeh, H, 2008. architecture and urban space in painting, Tehran: tagh.
[16]	Tajvidi, A., 2007, at the Art Iran (since the beginning of the tenth century), Tehran, Printing and Publishing Ministry of Culture and Islamic Guidance.
[17]	www.metmuseum.org
[18]	www.peopleofar.com

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APA Style

Mohammad Ebrahim Zarei, Fereshteh Sharifi. (2017). Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. International Journal of Architecture, Arts and Applications, 2(4), 20-25. https://doi.org/10.11648/j.ijaaa.20160204.11

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ACS Style

Mohammad Ebrahim Zarei; Fereshteh Sharifi. Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. Int. J. Archit. Arts Appl. 2017, 2(4), 20-25. doi: 10.11648/j.ijaaa.20160204.11

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AMA Style

Mohammad Ebrahim Zarei, Fereshteh Sharifi. Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. Int J Archit Arts Appl. 2017;2(4):20-25. doi: 10.11648/j.ijaaa.20160204.11

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@article{10.11648/j.ijaaa.20160204.11,
  author = {Mohammad Ebrahim Zarei and Fereshteh Sharifi},
  title = {Porch and Balcony in the Urban Landscape in the Painting of Safavid Period},
  journal = {International Journal of Architecture, Arts and Applications},
  volume = {2},
  number = {4},
  pages = {20-25},
  doi = {10.11648/j.ijaaa.20160204.11},
  url = {https://doi.org/10.11648/j.ijaaa.20160204.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20160204.11},
  abstract = {This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.},
 year = {2017}
}

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TY  - JOUR
T1  - Porch and Balcony in the Urban Landscape in the Painting of Safavid Period
AU  - Mohammad Ebrahim Zarei
AU  - Fereshteh Sharifi
Y1  - 2017/01/24
PY  - 2017
N1  - https://doi.org/10.11648/j.ijaaa.20160204.11
DO  - 10.11648/j.ijaaa.20160204.11
T2  - International Journal of Architecture, Arts and Applications
JF  - International Journal of Architecture, Arts and Applications
JO  - International Journal of Architecture, Arts and Applications
SP  - 20
EP  - 25
PB  - Science Publishing Group
SN  - 2472-1131
UR  - https://doi.org/10.11648/j.ijaaa.20160204.11
AB  - This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.
VL  - 2
IS  - 4
ER  -

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Author Information

Mohammad Ebrahim Zarei

Department of Archaeology, Bu-Ali University, Hamedan, Iran
Fereshteh Sharifi

Department of Archaeology, Bu-Ali University, Hamedan, Iran

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Plain Text BibTeX RIS

APA Style

Mohammad Ebrahim Zarei, Fereshteh Sharifi. (2017). Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. International Journal of Architecture, Arts and Applications, 2(4), 20-25. https://doi.org/10.11648/j.ijaaa.20160204.11

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ACS Style

Mohammad Ebrahim Zarei; Fereshteh Sharifi. Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. Int. J. Archit. Arts Appl. 2017, 2(4), 20-25. doi: 10.11648/j.ijaaa.20160204.11

Copy | Download

AMA Style

Mohammad Ebrahim Zarei, Fereshteh Sharifi. Porch and Balcony in the Urban Landscape in the Painting of Safavid Period. Int J Archit Arts Appl. 2017;2(4):20-25. doi: 10.11648/j.ijaaa.20160204.11

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@article{10.11648/j.ijaaa.20160204.11,
  author = {Mohammad Ebrahim Zarei and Fereshteh Sharifi},
  title = {Porch and Balcony in the Urban Landscape in the Painting of Safavid Period},
  journal = {International Journal of Architecture, Arts and Applications},
  volume = {2},
  number = {4},
  pages = {20-25},
  doi = {10.11648/j.ijaaa.20160204.11},
  url = {https://doi.org/10.11648/j.ijaaa.20160204.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20160204.11},
  abstract = {This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.},
 year = {2017}
}

Copy | Download

TY  - JOUR
T1  - Porch and Balcony in the Urban Landscape in the Painting of Safavid Period
AU  - Mohammad Ebrahim Zarei
AU  - Fereshteh Sharifi
Y1  - 2017/01/24
PY  - 2017
N1  - https://doi.org/10.11648/j.ijaaa.20160204.11
DO  - 10.11648/j.ijaaa.20160204.11
T2  - International Journal of Architecture, Arts and Applications
JF  - International Journal of Architecture, Arts and Applications
JO  - International Journal of Architecture, Arts and Applications
SP  - 20
EP  - 25
PB  - Science Publishing Group
SN  - 2472-1131
UR  - https://doi.org/10.11648/j.ijaaa.20160204.11
AB  - This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books. The aim of this research is analysis of balcony aesthetic elements in the painting of safavid period and obtaining the outlook of the image and landscape in which porch and balcony were depicted in architecture. The questions in this study are; The images during safavid period, porch and balcony are shown and in which part of the building are they shown? what role do the urban landscape have? porch and balcony were used for what purpose and their function? Did the painter have any ideas about the porch and balcony in his paintings? Balcony was found in the upstairs but porch and verandas were found in the ground floor or basement. From urban landscape beauty is seen in the architecture and this is shown in the architecture beauty. porch and balcony were used by owners to sit and relax, the result show that balcony and porch in this image is accordance with principle of discipline and taking into consideration the perspective are shown in the sample of the paintings, they are signs of importance and place of this part is in the exterior view in the Iranian architecture and generally manisfested in touch of nature and romance.
VL  - 2
IS  - 4
ER  -

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