Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo

Vahid Mobarak

doi:doi:10.11648/j.ash.20210703.14

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Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo

Vahid Mobarak

Published in Advances in Sciences and Humanities (Volume 7, Issue 3)

Received: 11 June 2021 Accepted: 3 August 2021 Published: 27 August 2021

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Abstract

Fairy has a special place in Iranian popular literature, whether it is a remnant of the pre-Aryan goddess or a beautiful and well-liked character of the Iranians against the Indian deities. In Indian mythology, ostriches are depicted as Fairies living in springs or seas, and in the arid land of Iran, a fairy with water is seen in the names of places and springs. The Fairy is considered to be opposite to the demon, but there are hints that classify the two as one and distinguish them on the basis of sex, or good and evil, and recognize fairies as the identical source of the demon and the Fairy, and at least, He knows the fairy comes out of the air and water. This descriptive-analytical study has examined the reflection of the word Fairy in Iranian geographical letters and Persian poetry and proverbs, and has identified three attitudes: the confrontation of a Fairy with a male demon, the kindness and guidance of a Fairy, and its continuity. With water and fertility, while honoring Indo-Iranian ideas and dissimilarity to Zoroastrian thought, it has reflected the collective unconscious need of Iranians to increase fertility in their agricultural life; Witchcraft, intimidation, and other misdeeds of Fairies are also associated with the beliefs of Zoroastrian Iranians, who despise pre-Zoroastrian ideas and portray Fairies as enchanting, enchanting, ugly, and unholy. The beauty of Fairy in the Islamic period, while honoring the ideas of Madaistan Perikani, is based on the humiliation of Zoroastrian ideas. Findings show that these three approaches are seen in Iranian literature and culture and the second approach in the poem "Fairy" includes, and the approach of sanctity of fairies and their connection with water in non-random registrations of places. The multiplicity of the name Peri in Azerbaijan, Kurdistan and Lorestan indicates the protection of the ancient pre-Zoroastrian rituals, the struggle against drought and the idea of honoring agriculture, water and development.

Published in	Advances in Sciences and Humanities (Volume 7, Issue 3)
DOI	10.11648/j.ash.20210703.14
Page(s)	66-73
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2021. Published by Science Publishing Group

Keywords

Fairy, Fairy Ugliness and Beauty, Water, Geographical Distribution, Iranian Culture and Popular Literature

References

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APA Style

Vahid Mobarak. (2021). Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Advances in Sciences and Humanities, 7(3), 66-73. https://doi.org/10.11648/j.ash.20210703.14

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ACS Style

Vahid Mobarak. Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Adv. Sci. Humanit. 2021, 7(3), 66-73. doi: 10.11648/j.ash.20210703.14

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AMA Style

Vahid Mobarak. Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Adv Sci Humanit. 2021;7(3):66-73. doi: 10.11648/j.ash.20210703.14

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@article{10.11648/j.ash.20210703.14,
  author = {Vahid Mobarak},
  title = {Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo},
  journal = {Advances in Sciences and Humanities},
  volume = {7},
  number = {3},
  pages = {66-73},
  doi = {10.11648/j.ash.20210703.14},
  url = {https://doi.org/10.11648/j.ash.20210703.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ash.20210703.14},
  abstract = {Fairy has a special place in Iranian popular literature, whether it is a remnant of the pre-Aryan goddess or a beautiful and well-liked character of the Iranians against the Indian deities. In Indian mythology, ostriches are depicted as Fairies living in springs or seas, and in the arid land of Iran, a fairy with water is seen in the names of places and springs. The Fairy is considered to be opposite to the demon, but there are hints that classify the two as one and distinguish them on the basis of sex, or good and evil, and recognize fairies as the identical source of the demon and the Fairy, and at least, He knows the fairy comes out of the air and water. This descriptive-analytical study has examined the reflection of the word Fairy in Iranian geographical letters and Persian poetry and proverbs, and has identified three attitudes: the confrontation of a Fairy with a male demon, the kindness and guidance of a Fairy, and its continuity. With water and fertility, while honoring Indo-Iranian ideas and dissimilarity to Zoroastrian thought, it has reflected the collective unconscious need of Iranians to increase fertility in their agricultural life; Witchcraft, intimidation, and other misdeeds of Fairies are also associated with the beliefs of Zoroastrian Iranians, who despise pre-Zoroastrian ideas and portray Fairies as enchanting, enchanting, ugly, and unholy. The beauty of Fairy in the Islamic period, while honoring the ideas of Madaistan Perikani, is based on the humiliation of Zoroastrian ideas. Findings show that these three approaches are seen in Iranian literature and culture and the second approach in the poem "Fairy" includes, and the approach of sanctity of fairies and their connection with water in non-random registrations of places. The multiplicity of the name Peri in Azerbaijan, Kurdistan and Lorestan indicates the protection of the ancient pre-Zoroastrian rituals, the struggle against drought and the idea of honoring agriculture, water and development.},
 year = {2021}
}

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TY  - JOUR
T1  - Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo
AU  - Vahid Mobarak
Y1  - 2021/08/27
PY  - 2021
N1  - https://doi.org/10.11648/j.ash.20210703.14
DO  - 10.11648/j.ash.20210703.14
T2  - Advances in Sciences and Humanities
JF  - Advances in Sciences and Humanities
JO  - Advances in Sciences and Humanities
SP  - 66
EP  - 73
PB  - Science Publishing Group
SN  - 2472-0984
UR  - https://doi.org/10.11648/j.ash.20210703.14
AB  - Fairy has a special place in Iranian popular literature, whether it is a remnant of the pre-Aryan goddess or a beautiful and well-liked character of the Iranians against the Indian deities. In Indian mythology, ostriches are depicted as Fairies living in springs or seas, and in the arid land of Iran, a fairy with water is seen in the names of places and springs. The Fairy is considered to be opposite to the demon, but there are hints that classify the two as one and distinguish them on the basis of sex, or good and evil, and recognize fairies as the identical source of the demon and the Fairy, and at least, He knows the fairy comes out of the air and water. This descriptive-analytical study has examined the reflection of the word Fairy in Iranian geographical letters and Persian poetry and proverbs, and has identified three attitudes: the confrontation of a Fairy with a male demon, the kindness and guidance of a Fairy, and its continuity. With water and fertility, while honoring Indo-Iranian ideas and dissimilarity to Zoroastrian thought, it has reflected the collective unconscious need of Iranians to increase fertility in their agricultural life; Witchcraft, intimidation, and other misdeeds of Fairies are also associated with the beliefs of Zoroastrian Iranians, who despise pre-Zoroastrian ideas and portray Fairies as enchanting, enchanting, ugly, and unholy. The beauty of Fairy in the Islamic period, while honoring the ideas of Madaistan Perikani, is based on the humiliation of Zoroastrian ideas. Findings show that these three approaches are seen in Iranian literature and culture and the second approach in the poem "Fairy" includes, and the approach of sanctity of fairies and their connection with water in non-random registrations of places. The multiplicity of the name Peri in Azerbaijan, Kurdistan and Lorestan indicates the protection of the ancient pre-Zoroastrian rituals, the struggle against drought and the idea of honoring agriculture, water and development.
VL  - 7
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ER  -

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Author Information

Vahid Mobarak

Department of Persian Language and Literature, Faculty of Literature and Humanities, Razi University, Kermanshah, Iran

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APA Style

Vahid Mobarak. (2021). Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Advances in Sciences and Humanities, 7(3), 66-73. https://doi.org/10.11648/j.ash.20210703.14

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ACS Style

Vahid Mobarak. Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Adv. Sci. Humanit. 2021, 7(3), 66-73. doi: 10.11648/j.ash.20210703.14

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AMA Style

Vahid Mobarak. Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo. Adv Sci Humanit. 2021;7(3):66-73. doi: 10.11648/j.ash.20210703.14

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@article{10.11648/j.ash.20210703.14,
  author = {Vahid Mobarak},
  title = {Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo},
  journal = {Advances in Sciences and Humanities},
  volume = {7},
  number = {3},
  pages = {66-73},
  doi = {10.11648/j.ash.20210703.14},
  url = {https://doi.org/10.11648/j.ash.20210703.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ash.20210703.14},
  abstract = {Fairy has a special place in Iranian popular literature, whether it is a remnant of the pre-Aryan goddess or a beautiful and well-liked character of the Iranians against the Indian deities. In Indian mythology, ostriches are depicted as Fairies living in springs or seas, and in the arid land of Iran, a fairy with water is seen in the names of places and springs. The Fairy is considered to be opposite to the demon, but there are hints that classify the two as one and distinguish them on the basis of sex, or good and evil, and recognize fairies as the identical source of the demon and the Fairy, and at least, He knows the fairy comes out of the air and water. This descriptive-analytical study has examined the reflection of the word Fairy in Iranian geographical letters and Persian poetry and proverbs, and has identified three attitudes: the confrontation of a Fairy with a male demon, the kindness and guidance of a Fairy, and its continuity. With water and fertility, while honoring Indo-Iranian ideas and dissimilarity to Zoroastrian thought, it has reflected the collective unconscious need of Iranians to increase fertility in their agricultural life; Witchcraft, intimidation, and other misdeeds of Fairies are also associated with the beliefs of Zoroastrian Iranians, who despise pre-Zoroastrian ideas and portray Fairies as enchanting, enchanting, ugly, and unholy. The beauty of Fairy in the Islamic period, while honoring the ideas of Madaistan Perikani, is based on the humiliation of Zoroastrian ideas. Findings show that these three approaches are seen in Iranian literature and culture and the second approach in the poem "Fairy" includes, and the approach of sanctity of fairies and their connection with water in non-random registrations of places. The multiplicity of the name Peri in Azerbaijan, Kurdistan and Lorestan indicates the protection of the ancient pre-Zoroastrian rituals, the struggle against drought and the idea of honoring agriculture, water and development.},
 year = {2021}
}

Copy | Download

TY  - JOUR
T1  - Non-random Distribution of Geographical Locations in Iran Where the Name Fairy Exists and a Look at the Poem "Fairy" Shamloo
AU  - Vahid Mobarak
Y1  - 2021/08/27
PY  - 2021
N1  - https://doi.org/10.11648/j.ash.20210703.14
DO  - 10.11648/j.ash.20210703.14
T2  - Advances in Sciences and Humanities
JF  - Advances in Sciences and Humanities
JO  - Advances in Sciences and Humanities
SP  - 66
EP  - 73
PB  - Science Publishing Group
SN  - 2472-0984
UR  - https://doi.org/10.11648/j.ash.20210703.14
AB  - Fairy has a special place in Iranian popular literature, whether it is a remnant of the pre-Aryan goddess or a beautiful and well-liked character of the Iranians against the Indian deities. In Indian mythology, ostriches are depicted as Fairies living in springs or seas, and in the arid land of Iran, a fairy with water is seen in the names of places and springs. The Fairy is considered to be opposite to the demon, but there are hints that classify the two as one and distinguish them on the basis of sex, or good and evil, and recognize fairies as the identical source of the demon and the Fairy, and at least, He knows the fairy comes out of the air and water. This descriptive-analytical study has examined the reflection of the word Fairy in Iranian geographical letters and Persian poetry and proverbs, and has identified three attitudes: the confrontation of a Fairy with a male demon, the kindness and guidance of a Fairy, and its continuity. With water and fertility, while honoring Indo-Iranian ideas and dissimilarity to Zoroastrian thought, it has reflected the collective unconscious need of Iranians to increase fertility in their agricultural life; Witchcraft, intimidation, and other misdeeds of Fairies are also associated with the beliefs of Zoroastrian Iranians, who despise pre-Zoroastrian ideas and portray Fairies as enchanting, enchanting, ugly, and unholy. The beauty of Fairy in the Islamic period, while honoring the ideas of Madaistan Perikani, is based on the humiliation of Zoroastrian ideas. Findings show that these three approaches are seen in Iranian literature and culture and the second approach in the poem "Fairy" includes, and the approach of sanctity of fairies and their connection with water in non-random registrations of places. The multiplicity of the name Peri in Azerbaijan, Kurdistan and Lorestan indicates the protection of the ancient pre-Zoroastrian rituals, the struggle against drought and the idea of honoring agriculture, water and development.
VL  - 7
IS  - 3
ER  -

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